There are many techniques which can rightly be called figurative language, including metaphor, simile, hyperbole, personification, onomatopoeia, verbal irony, and oxymoron. Where an author interrupts a story in order to explain something, usually to provide important background information.Īny use of language where the intended meaning differs from the actual literal meaning of the words themselves. Where the audience or reader is aware of something important, of which the characters in the story are not aware. Where characters speak to one another may often be used to substitute for exposition. Conflicts can exist between individual characters, between groups of characters, between a character and society, etc., and can also be purely abstract (i.e., conflicting ideas).Ĭonditions, including facts, social/historical background, time and place, etc., surrounding a given situation.Įxaggeration or alteration of objective facts or reality, for the purpose of enhancing meaning in a fictional context. The outcome of any story provides a resolution of the conflict(s) this is what keeps the reader reading. (Although it is technically a literary element, the term is only useful for identification, as part of a discussion or analysis of structure it cannot generally be analyzed by itself.)Ī struggle between opposing forces which is the driving force of a story. The turning point in a story, at which the end result becomes inevitable, usually where something suddenly goes terribly wrong the “dramatic high point” of a story. Also refers directly to a description thereof. The author’s means of conveying to the reader a character’s personality, life history, values, physical attributes, etc.
When discussing character, as distinct from characterization, look to the essential function of the character, or of all the characters as a group, in the story as a whole. The people who inhabit and take part in a story. Non-rhyming poetry, usually written in iambic pentameter. (This technique is often incorrectly called personification.) Where animals or inanimate objects are portrayed in a story as people, such as by walking, talking, or being given arms, legs, facial features, human locomotion or other anthropoid form. (Although it is technically a literary element, the term is only useful for identification, as part of a discussion or analysis of character it cannot generally be analyzed by itself.) The person may not be “bad” or “evil” by any conventional moral standard, but he/she opposes the protagonist in a significant way. The repetition of consonant sounds within close proximity, usually in consecutive words within the same sentence or line.Ĭounterpart to the main character and source of a story’s main conflict. Where every aspect of a story is representative, usually symbolic, of something else, usually a larger abstract concept or important historical/geopolitical event. He said that my sister was not allowed to see the boy who hit her anymore, and he was going to have a talk with the boy's parents tonight.Click here to study/print these flashcards.Ĭreate your own flash cards! Sign up here. And I knew that Bill had called home and told them. My mom and dad were standing in front of her. "When I finally got home, my sister was sitting in a chair. It didn't matter to them that it was only because she told him to stand up to his bully, which was her, and they just wouldn't have it.
She had a boyfriend who had hit her, so her parents were trying to say how he wasn't allowed to see her anymore.This is an external conflict because she really wanted to date this boy, but her parents wouldn't let her. One character who wasn't very prominent but still suffered was Charlie's sister. Because I'm starting to feel like what I dreamt about her last night was true" (Chbosky 202-205) External ConflictĮvery character additionally suffered with external conflict. And even if she were here, I don't think I could talk to her either. I can't talk to anyone in my family, except for Aunt Helen. Writing this gibberish is all that's keeping me together right now.
And Aunt Helen was doing what Sam was doing.
#Literary elements tv
My brother, sister, and I were watching TV together with Aunt Helen.
just before I fell asleep, I said something. Until she slid her hand under my pants, and she touched me. "She took my hand and slid it under her pants. Not even his parents knew about it until he ended up in the hospital. The struggle to repress these memories have been the thing keeping him back and made it hard for him to open up to people.
#Literary elements full
He keeps getting flashbacks and when Sam and him were about to have sex, a full fledged memory came into his mind and he started freaking out. He was molested as a child and memories of that event were coming back to him. Charlie probably struggled the most with internal conflict.
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